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ACT X - KAFKA AND THE MUFTI AL-HUSAYNI

The Island of the Absurd

From the heavens, silence is not peace; it is an expectation. Two men who never crossed paths on Earth observe the structure. On one side, Haj Amin al-Husayni, the former Mufti of Jerusalem, draped in his austere dignity. On the other, Franz Kafka, a slender silhouette, with the feverish gaze of one who spent his life drawing the contours of the inextricable.

AL-HUSAYNI (with a hard face, pointing at the building) It is a monstrosity. This is not a peace project. It is apartheid poured in cement. A colonial grid to wall us in alive inside our own home, under the watch of your lasers.

KAFKA (a melancholy, distant smile) A wall is physical bureaucracy, Mufti. It is the administration of separation. But what else did you expect from a court that has never finished its session?

AL-HUSAYNI In the beginning, we had nothing against you. When there were a thousand of you, coming to die piously in Jerusalem, you didn't bother anyone. You were our neighbors. But you came by the millions. You brought your laws, your machines, and now this giga-building. You do not share your home with a flood that wants to replace the foundations.

KAFKA (he raises an eyebrow, a cold gleam of irony in his eyes) Ah, the numbers... You have always had a weakness for large numbers and demographic flows, Amin. Especially between 1941 and 1945, around Berlin, isn't that right? Mass accounting was being done over there. They were planning the void with absolute Germanic rigor. You paid very close attention to it.

AL-HUSAYNI (stiffening) I was looking for allies to liberate my land, not moral lessons from a Prague writer. The problem is the land you took from us!

KAFKA (he nods gently, adjusting his collar) The land... Let us open another file, if you will. One of those absurd theses for which I have the secret. Imagine that at the end of the Second World War, our people, exhausted by Europe and financially aided by its global diaspora, had decided to make a radical choice. To avoid bothering anyone, to avoid removing a single olive tree, we legally buy a huge piece of ocean from the international community. Thousands of square kilometers of saltwater, in the middle of nowhere.

AL-HUSAYNI (frowning) Water?

KAFKA Water. And there, thanks to our money and our engineers, we build an artificial island. Gigantic. To the exact size and precise perimeter of present-day Israel. A masterpiece of civil engineering floating or anchored over the abyss. We call it Bis-rael. Our nation on a concrete raft, without a past, without direct neighbors, surrounded by waves as far as the eye can see. (Kafka steps closer to the Mufti, his gaze becoming piercing) Ask yourself the question, Amin. If we were over there, on Bis-rael, in the middle of the oceanic void... would you, and the rest of the world with you, continue to attack us? Would you still find a reason to charter ships to go and sink our island?

AL-HUSAYNI (A long silence settles in. The Mufti opens his mouth to answer with a political obviousness—that no, of course, the problem is Palestine—but the words get stuck in his throat. Kafka's metaphysical trap snaps shut. He looks at the blueprints of the Wall, then at the void of the heavens, searching for an answer in the folds of his memory and his hatred, but his lips remain closed. He does not know what to answer.)

KAFKA (with a weary sigh) You do not know. Because deep down inside, you sense the truth. Humanity would have invented long-range missiles to reach our raft. Our island would have been accused of diverting ocean currents or profaning the eternity of the sea. The Bureaucracy of rejection does not need a land registry to function. (he places his hand on the blueprint of the Wall) If the hatred of our existence is a universal decree that pursues us even in the middle of nowhere, then geography is merely a pretext. Fleeing to a fictional island would solve nothing. And if the world is to judge us guilty of existing anyway, then the only possible land, the only one that legitimizes our pain, is this one. Israel. The original castle.

And in my absurd thesis, did I mention even once that we could not share this land with you, my dear Mufti?

AL-HUSAYNI It is Kafkaesque.

From the heavens, the Mufti turns his gaze away, prisoner of a doubt he will never admit to himself. Kafka, on the other hand, looks at the Wall as one looks at one of his own short stories: an absurd, terrifying structure, but one that has become the only logical way out for those who have nowhere else to go.

The door exists. It is open. On one side, life. On the other, death. Between the two—you. Alone. As the Just have always been alone.

#THEWALLOFTHEJUST #AREWESTRONGENOUGH

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